Richard Parris Quintet - "Body and Soul"
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Not a late bloomer, but rather an unheralded Montreal perennial,
tenorman Richard Parris blows up a storm on this debut quintet offering
of seven favourite standards plus a rousing collective excursion into
Sonny Stitt's "Stitt's It". Plenty of propulsive drive is shared by
trumpeter Joe Sullivan, guitarist Greg Clayton and Parris on
"Witchcraft", "Time on my Hands", or "On Green Dolphin Street", while
the sublime nuances demanded of such numbers as "I'm Getting Sentimental
Over You" and "Ghost of a Chance" are tastefully rendered. Parris'
delivery on the title tune is inventive and evocative. All this before
an appreciative audience. (J.S.)
DSM 3020 to order
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Steve Hall Quartet - "Hall Things"
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Yet another unsung performer is Montreal saxophonist Steve Hall whose
lengthy sojourn in NYC (c1979) has provided him with opportunities to
work with the likes of Gil Evans, Lionel Hampton, Art Blakey and pianist
Kevin Hays who joins him on this 1997 session recorded live in Montreal.
Hall and Hays work well together; the former, Warne Marsh-like in tone,
preferring the upper register of his instrument with infrequent brusque
descents - the latter, introspective yet innovative working from within
a carefully chosen framework. The programme is suited to their mutually
responsive interplay, both on free flowing up-tempo numbers (" House is
Not a Home"/"Midnight Sun"/"Insatiablue") and the more ballad oriented
selections ("Lonely House"/"It Never Entered my Mind"/"My Reverie").
The highlight is the contrastingly rhythmic segue of Monk's "Ugly
Beauty" into Hall's own "Hall Things Hall". (J.S.)
DSM 3019 to order
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Frederic Alarie Trio - "Motion"
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The trio of Alarie (bass), Kelly Jefferson (tenor/soprano), and Michael
Lambert (drums) is an impressive aggregation indeed. Here, recorded
live, presumably at La Maison de la Culture Frontenac in Montreal, they
prove to be an interactive and interdependent group, feeding off one
another in constantly shifting rhythmic and harmonic patterns. Though
numbers are "composed" (5 of the 6 are originals), there is a
free-flowing, improvisatory feeling about it all. Certainly Jefferson's
Rollins-roots are evident, but he stirs the musical pot both on soprano
("Turbulence"/"Innocence") and tenor, fashioning melodic fragments
against dynamic variations on "Patience", or loosely structured lines
with "Third Step" and "Quinze". Integral to the mix is the hard working
rhythm duo, stepping front and centre in extended solos on "Run
In"/"Patience"/"Quinze". (J.S.)
DSM 3023 to order
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Jesse Davis - "First Insight" |
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Though still a young man, New Orleans-born alto saxophonist Jesse Davis
has done a lot of playing since his debut in the late 80's - Nicholas
Payton, Terence Blanchard, Illinois Jacquet, Milt Jackson to name a few
with whom he has shared the spotlight. This 1997 release with pianist
Mulgrew Miller, bassist Ron Carter, drummer Kenny Washington, and (on 6
cuts) guitarist Peter Bernstein shows the wide variation both in
planning and delivery that he's capable of. With the rhythmic pulse of
Carter/Washington and the amazing adaptability of Miller, Davis touches
on Adderley/Parker roots with his sprightly march tempo tribute to New
Orleans ("Nola"), is melodically relaxed and warm on "A Little R&R",
runs smooth, controlled and blues-oriented ("First Insight"), or lean,
bright and raw-edged ("Midnight Blue"). He matches his compositions to
his mood swings, hanging an appropriate title on each (e.g.
"Jetlagged"/"Donkey Stomp"). Highly recommended. (J.S.)
Concord 4796-2 to order
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Susannah McCorkle - "Someone to Watch over Me" |
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It is only fitting that one of the premier interpreters of American
popular song should pay tribute to one of America's foremost composers
of that medium, George Gershwin on the occasion of his 100th birthday.
McCorkle, whose voice encompasses all that I admire in a composite of
Peggy Lee, Lee Wiley, and Julie London (and more), treats each number
with consummate care, probing the lyrics to capture the essence of each
in her delivery - sultry, husky and earthy when it serves her purpose
("It ain't Necessarily So"/"Love Walked In"), rhythmically and
temporally explorative ("Summertime"/"I Was Doing All Right"), swinging
like crazy if so moved ("Who Cares?"/"I Got Rhythm"). These are timeless
songs, with a few rescued from near oblivion ("Will You Remember
Me?"/"Drifting Along with the Tide"). The supportive octet under the
direction of pianist Allen Farnham (with kudos to reedman Jerry Dodgion
and bassist Dick Sarpola) is also a winner. (J.S.)
Concord 4798-2 to order
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Michael Marcus/Jaki Byard Trio - "Involution" |
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Byard, whose playing credentials include stints with Earl Bostic, Eric
Dolphy, Booker Ervin, Roland Kirk and Charles Mingus, was once quoted as
saying, "I can't play one way all night¼and wouldn't want to." With
reedman Michael Marcus, who explores the straight tenor, stritch
(straight alto), and saxello ( a redesigned soprano), pianist Byard,
with bassist Ralph Hemperian and drummer Richard Allen, has many
opportunities to display his vast musical scope. From the opening
"Israel" to the closing title tune, the quartet functions both
collectively and individually, with Marcus biting off notes on the aptly
titled "Quadraphonics", faithfully capturing "Soultrane" by that master
melodist, Tadd Dameron, playfully plying the stritch with "Surfer Girl",
or recapturing some of the experimental fervour of the late 60's and
70's on his dual saxello/stritch rendition of "Involution". The
pianoless "Off Minor" features some excellent solo work by bass and
drums, with Marcus sounding Griffin/Rouse-like at times, even on
straight tenor. (J.S.)
Justin Time 116-2 to order
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John Coltrane - "Live at the Village Vanguard: Master Takes (1961)"
Pharoah Sanders - "Thembi (1970-71)"
Pharoah Sanders - "Jewels of Thought (1969)"
Archie Shepp - "Mama Too Tight (1966)"
Sun Ra - Space is the Place (1972)" |
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That period from the early 60's to the early 70's heralded a vibrant,
experimental "new wave" of jazz characterized by the search for extended
instrumental capabilities need to produce new tonalities, harmonics and
tempi, the inclusion of cross-cultural musical patterns, the development
of a technology that permitted performers to select chosen releases from
many taped versions, a performer-centric focus that emphasized both the
dramatic, theatrical and the rebellious, iconoclastic. The Impulse
record label was one of the leading advocates and repositories of this
challenging pursuit of musical freedom. The exuberance and sheer
inventiveness - a kind of ugly beauty, rhythmically hypnotic and rooted
in the blues even at its wildest - is perhaps best captured in the music
of John Coltrane (#251). A more abrasive, self-indulgent, perverse
figure was that of Pharoah Sanders (#253/#247), a kind of studied
turbulence, intricately percussive, deliberately antagonistic yet
capable of great lyric beauty as well. For Archie Shepp (#248), the
music was an expression more of inner rage, an intense and unrelenting
quest for social justice and the urgency to communicate this to a world
constantly in flux. But the most eclectic and unpredictable was the
uncompromising Sun Ra (#249), whose"Arkestral" sorties -
impressionistic, electronically experimental, collectively
improvisational - retained strong roots in swing and bop despite the
fanciful flights of rambling free form in space-oriented guises. It's
all here (and more) on these five selected CD's, a facet of that label's
output featuring the music that set out to redefine the jazz
idiom. (J.S.)
Coltrane "Live" Impulse IMPD-251 to order
Sanders "Thembi" Impulse IMPD-253 to order
Sanders "Jewels" Impulse IMPD-247 to order
Shepp "Mama" Impulse IMPD-248 to order
Ra "Space" Impulse IMPD-249 to order
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Highly recommended CD's without reviews, star rated
as follows:
***** Excellent
**** Good
New Releases |
Rating
| Artist
| Title
| Label & Cat. No.
|
***** |
Fred Hersch |
plays Monk |
Nonesuch 79456-2 |
***** |
Marian McPartland |
Just Friends |
Concord CCD-4805-2 |
**** |
Trudy Desmond |
My One and Only |
JustinTime JTR 8468-2 |
**** |
Preservation Hall Jazz Band |
Because of You |
Columbia SK 60327 |
***** |
Jubilant Sykes |
Jubilant |
Columbia SK 63294 |
**** |
Ernest Ranglin |
Memories of Barber Mack |
Island 314-524 339 |
**** |
Bob Belden |
Tapestry |
Blue Note 72 4385789120 |
***** |
Ranee Lee |
Seasons of Love |
JustinTime Just 103-2 |
***** |
Kenny Barron |
Things Unseen |
Verve 314 537 315-2 |
**** |
Matt Catingub |
Gershwin 100 |
Concord CCD-4797-2 |
***** |
Niels-Henning Orsted Pedersen |
This is all I Ask |
Verve 539 695-2 |
**** |
Ramsey Lewis |
Dance of the Soul |
GRP GRD-9904 |
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