Various Artists - "The UP Compilation vol 1 & 2"
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If you're searching for an up-to-date overview of the contemporary jazz
scene in Canada, look no further. Unity Records, founded in 1987 and
with some 40 releases to its credit, has merged with Page Music
Distributors to form UP Records; as a prelude of things to come, a
two-disc package of Canadian artists, including such notables as Bernie
Senensky, Alex Dean, P.J.Perry, Kieran Overs, David Occhipinti and Ted
Quinlan, drawn from previous sessions serves as an enticing forerunner
of future plans by this new label. Seventeen of the nineteen cuts are
original compositions, and though not every number may remain indelibly
unforgettable, the commitment, enthusiasm, and quality of musicianship
make this a worthy enterprise. The range of musical styles speaks well
for the diverse development of our Canadian jazz horizons. (J.S.)
UP Records (Unity/Page) UTY 159/160 to order
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Hamiet Bluiett/D.D.Jackson/Mor Thiam - "Same Space"
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Recorded in Brooklyn (1997), reedman Hamiet Bluiett, pianist
D.D.Jackson, and percussionist/vocalist Mor Thiam sound at times like a
much larger aggregation than the trio format would suggest, especially
with such infectiously rhythmic pieces as the opening "Aseeko", the
fanciful instrumental and vocal exchanges on "Peace-song", or the strong
pulse capturing "Spirit". There are solo spots too, with Jackson's
delicate kaleidoscopic handling of "Moment", Thiam's intricate hand
drumming on "Can't Help It", or Bluiett's brief contrastingly
harsh-mellow excursion into "A/B Original". However, the general mood is
festive, a music "¼.to be felt¼not music to be analyzed, dissected,
criticized, or defended" (liner). All the works are composed by trio
members, and it is truly, as the notes conclude, a journey of "Adventure
and Authenticity". (J.S.)
Justin Time 109-2 to order
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Rosemary Clooney - "Rosemary Clooney 70"
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On the occasion of her 70th birthday and after 24 recordings for the
Concord label, Concord Records releases 70 minutes of prime Rosemary
Clooney drawn from 17 of her 24 sessions, circa 1977 to 1997. The
seemingly timeless, unpretentious performer with the unique husky
contralto voice remains both balladeer and swinger in this well-balanced
programme, torching such standards as "Oh, What a Beautiful Morning",
"Just One of Those Things", or "Ol' Man River", but capturing the
emotional essence of "I Got Lost in His Arms", "I Stayed Too Long at the
Fair", or Dietrich's signature tune, "Falling in Love Again". The
presence of such supportive instrumentalists as Scott Hamilton, Warren
Vache, Ed Bickert, and pianist John Oddo, and guest appearances by Woody
Herman, K.D. Lang, and Linda Ronstadt complement and reinforce this
tribute to one of the matchless interpreters of popular vocal
music. (J.S.)
Concord 4804-2 to order
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Billy Lester - "At Liberty" |
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On this concert trio session, recorded at Wave Hill, NYC (1995), pianist
Billy Lester continues to impress with his cohesive aggregation of
bassist Sean Smith and drummer Skip Scott; the individual players feed
off one another almost intuitively, yet reflect the same independent
spirit in their respective solo stints. All numbers are Lester
originals, and the pianist, though at times showing an indebtedness to
Sal Mosca, Lennie Tristano, even Monk ("Blues Eyes"), is very much his
own man, incorporating a versatility and playful spontaneity
("Core-Curriculum"/"Out of Gees and Aes"), a subtle awareness of the
achievable effects of understatement ("The Great Fan-Tan"), with a free,
explorative approach that does not detract from his ability to swing
("Sea Dreams"). This is certainly a major step forward from the earlier
compilation disc (Zinnia 108), especially in the realms of a more
closely-knit group dynamics and a growing confidence and resourcefulness
in the pursuit of improvisatory freedom. Highly
recommended. (J.S.)
Zinnia 111 to order
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The Valentino Orchestra - "Feelin' No Pain" |
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Under the direction of arranger/composer/performer Andrew Homzy, The
Valentino Orchestra, made up of a fortunate blend of veteran and younger
players, seeks not simply to recreate works made popular during the
dance band and swing eras of the 20's and 30's, but rather to integrate
stock arrangements of the period into a new format while maintaining the
fidelity of the period: hence, there are variations on the originals -
instrumental sequences, placement of solos, incorporation of strings -
yet the past continues to inform the present, so that the incredible
tempo of Spud Murphy's "Bee Bee", the gaspipe clarinet and propulsive
tuba-like rhythm of "Sobbin' Blues", or the danceable, ballroom ambience
of "Japanese Sandman" are all very much in evidence. This 1997 disc is
dedicated to reedman Gerald Danovitch who passed away some 6 weeks after
the recording date, but whose presence on numbers such as "Sugar Blues",
"Stardust" and "Delirium" is memorable. I like the concept and the
realization of that vision. The pleasure principle is in effect
throughout. (J.S.)
Just a Memory JAM 9137-2 to order
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Wynton Marsalis - "The Midnight Blues" (Standard Time vol 5) |
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Recorded live in the Grand Lodge of the Masonic Hall, NYC, the trumpeter
proves once again that he is one of the foremost technicians in jazz,
drawing upon a familiar repertoire of numbers steeped in the nostalgia
of lost love and tinged with the feeling of the blues . This is not the
sound of surprise, but rather what we have come to expect from such
superb musical craftsmanship. The lush strings and rhythm trio seem
somewhat superfluous here to the measured tone, range and phrasing of
Marsalis' journeys into the melodic lines of such pieces as
"The Part's Over", "It Never Entered my Mind", or "I Guess I'll Hang my
Tears Out to Dry". There is even some concession to Miles ("Ballad of
the Sad Young Men"), though not with the latter's masterful
understatement nor his subtle deployment of spatial silence. Marsalis'
remarkable control and clever inventiveness should ensure that the album
will be well received. (J.S.)
Columbia CK 68921 to order
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Chick Corea - "Live at the Blue Note" |
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This, the first outing by Chick's new group Origin, is an all acoustic
one and they really come out swinging. Recorded live at the Blue Note in
New York City, December 1997 and released on Chick's own label Stretch
Records
This particular band was quite new at the time of recording; prior to
the twelve sets that they played at the Blue Note, the band had only
rehearsed for two days and had performed for three nights at the Van
Dyck's in Schenectady, New York.
The music sounds quite different for Chick Corea, although it still has
his impeccable modern melodic, harmonic and rhythmical stamp all over
it. Chick hasn't had more than two horns out front since the seventies,
now there are three.
The band consists of Avishai Cohen - acoustic bass, Adam Cruz - drums,
Steve Davis - trombone, Bob Sheppard - flute, soprano, tenor and bass
clarinet, and Steve Wilson - flute, soprano, alto and clarinet. The
music is fairly arranged but still has a lot of breathing space for the
players to blow. The recording starts with a three-part suite "Say it
Again" Part One, Part Two and "Double Image". The song "Molecules" is
Chick's homage to Duke Ellington who the pianist quotes as being one of
his biggest inspirations, and the song "Soul Mates" is a waltz written
for his wife Gayle. The CD has one standard "It Could Happen to You"
which is re-arranged for the sextet.
I highly recommend this recording as it shows why Chick is one of the
most important pianists and composers in jazz. It extracts a lot of
different sounds and colours from his arranging of the different
instruments such as alto flute and bass clarinet. Bob Sheppard also
shines as one of those important and underrated horn players. Five
thumbs up. (S.B.)
Stretch SCD-9018-2 to order
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Niacin - "High Bias" |
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Niacin is a trio consisting of John Novello - organ/keyboards, Dennis
Chambers - drums and Billy Sheehan - bass. This group is extremely high
energy in the vein of Jan Hammer or Lifetime, but still with their own
thing happening. Dennis Chambers has played with everyone from John
Scofield and Mike Stern to the Brecker Brothers and Steely Dan. Billy
Shehan is one of the heavy bass players on the rock scene performing
with the likes of David Lee Roth and Steve Vai. Novello is a new artist
to me, but he is an impressive player who I know we will hear more of in
the future. He and Sheehan penned all the music except "Birdland" (Joe
Zawinul) and "Hang Me Upside Down" (Chick Corea). Chick guests on this
track. Other guests include Alex Acuna - percussion on "Birdland" and
"Montuno" and Kenwood Dennard - drums on "Hang Me Upside Down".
Fans of modern music should really dig this recording; it has the
harmonic complexities of jazz, the rhythmical interplay of funk and the
intense energy of rock, making this a most listenable
recording. (S.B.)
Stretch SCD-9017-2 to order
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Allan Vache Big Four - "Revisited" |
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The quartet of clarinetist Allen Vache, cornetist David Jones, guitarist
Bob Leary, and bassist Phil Flanigan cook up a genuine foot-stomping
storm on this 1997 release, essentially a tribute to the legendary
jazzmen, Sidney Bechet and Mugsy Spanier. In a programme of tunes
recorded by or associated with the duo, the group fashions some
delightful instrumental melds on numbers such as "Louisiana Fairytale"
(clarinet/guitar), "Song of Songs" (cornet/clarinet), "Deep Henderson"
(cornet/guitar), and "She's Just Perfect for Me" (guitar/bass behind
Vache's tongue-in-cheek lyrics). The players complement one another
throughout with clarinet-cornet dialogue in gently swinging versions of
Spanier's 1939 classic "Relaxin' at the Touro" or the upbeat 1951 Bechet
piece "Promenade aux Champs-Elysees", while renditions of "Panama" and
"Song of Songs" are treated to fresh and original interpretations by
all. This is great fun and highly recommended, no matter what your taste
in jazz may be. (J.S.)
Nagel Heyer 044 to order
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Highly recommended CD's without reviews, star rated
as follows:
***** Excellent
**** Good
New Releases |
Rating
| Artist
| Title
| Label & Cat. No.
|
**** | Oscar Peterson/
Benny Green | Oscar & Benny | Telarc
CD-83406 |
**** | Jessica Williams | Jessica's Blues | Jazz
Focus JFCD018 |
**** | Eliane Elias | Sings Jobim |
Blue Note CDP
7243
4 95050 2 5 |
**** | Louie Bellson | The Art of the Chart | Concord
CCD-4800
|
***** | Shirley Horn | I Remember Miles | Verve 314
557 199 |
***** | Dave Brubeck | So What's New? | Telarc
CD-83434 |
***** | International Allstars | play Benny Goodman vol 2 |
Nagel-Heyer 045 |
***** | Marian McPartland | Just Friends | Concord
CCD-4805 | ***** | Ellis Marsalis Trio | Twelve's
It | Columbia CK69123 |
***** | Kenny Barron | Things Unseen | Verve
314 537 315 | ***** | Winard Harper | Trap
Dancer | Savant SCD 2013 |
***** | Ron Carter Trio | So What? |
Blue Note
CDP
7243 4 94976 2 7 |
***** | James Carter | In Carterian Fashion |
Atlantic 83082-2 |
***** | Mike Stern | Give and Take |
Atlantic 83036-2 |
***** | John Scofield | A Go Go |
Verve 314 539 979 | ***** | Charlie Haden/Kenny Barron | Night and the
City | Verve 539 961-2 |
***** | Pat Martino & Joyous Lake | Stone Blue | Blue Note
CDP
7243 8 53082 2 2 |
***** | Greg Osby |
Zero | Blue Note
CDP
7243 4 93760 2 1 |
Reissues |
**** | Max Roach |
Max | Chess GRD-825 |
**** | Al Cohn Quintet | Al and Zoot |
Chess GRD-827 |
**** | Kenny Dorham | Jazz Prophets. Vol 1. | Chess
GRD-820 |
**** | Roland Kirk | Introducing.. |
Chess GRD-821 |
**** | George Russell | Jazz in the Space Age | Chess
GRD-826 |
**** | Quincy Jones | Go West Man! |
Chess GRD-828 |
**** | Lou Donaldson | Live: Fried Buzzard | Chess
GRD-829 |
***** | Charles Mingus | Complete 1959 Columbia Recordings
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Columbia
C3K
65145 | | | | |
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